09 / Mapu brand system
Photography and illustration
Documentary, not advertising. The camera is a guest in an ordinary home: it observes cooperation as it happens and leaves the room as it found it. Images shown here are direction references, not licensed final assets.
Reference set
Three registers: together, alone, and the shared object between them.



Direction
Light
Natural, directional, soft. Late morning or late afternoon. No fill flash, no colour gels.
Colour
Muted and slightly desaturated, warm mid-tones, cool shadows. Grades toward the Mapu blues — cool shadows, no competing warm cast.
Framing
Eye level with the youngest person in the frame. Never shot down at a teenager.
Setting
Real, lived-in homes. Visible wear is welcome. No show kitchens, no styled shelves.
Behaviour
Unstaged. People doing something specific together, mid-action, mid-sentence.
Crop
Generous negative space above the subject, so the contour language can sit underneath.
What we never photograph
Photograph
- Parents and teenagers side by side, attention on a shared task
- Quiet, ordinary confidence — a teenager at ease in their own space
- Hands, objects and rooms where a face would add nothing
- Households of different shapes, ages and compositions
Never photograph
- Rows of smiling faces turned toward the camera
- A parent standing over a seated child, or arms folded in confrontation
- Phones held up, screens read over shoulders, or any surveillance framing
- Teenagers styled or lit as younger children
Illustration
Optional, and secondary to photography. Used where a photograph would over-specify a family.
A single hairline weight, no fills beyond a 12% Deep Blue wash, no faces, no outlined-character mascots. Figures are described by posture and proximity only. The contour language runs underneath every illustration so the two systems read as one drawing.
- Line weight: 1.4 px at 240 px width, scaling proportionally
- Palette: Deep Blue line, one Light Blue wash maximum
- Never mixed with photography inside the same component